Roger Taylor

Smile weren't Roger's first group, though. By the age of eight, Roger was playing the ukulele in 'The Bubblingover Boys', a makeshift skiffle band. They were dreadful, Roger admits. That didn't stop them charging neighbours to see them play. He left them in 1960 when he joined the Truro Cathedral School, and, soon after, its choir. He bought a cheap acoustic guitar and taught himself the basics. But it was soon put to one side when Roger managed to assemble together a drumkit. He knew that drumming was more 'his thing'.

Whilst at the Truro Private School, he and a few friends formed 'The Cousin Jacks' in 1963. He played rhythm guitar for a short while, but soon moved to drums. A few concerts for the local Liberal Party followed, but there was little else. In 1965 he joined yet another band - 'Johnny Quale and the Reaction'. After coming fourth in a local music championship they became well established around Cornwall, and didn't let the small detail of the departure of their lead singer - Johnny - stop them. Renamed, 'The Reaction', with Roger as a front man (literally - his drum kit was moved to the front at his insistance) went on to win the same championship in 1966. More gigs followed, and they supported bands such as T-Rex and Slade.

In 1967, Roger gained all the qualifications he could at home, and decided to study dentistry at the London Hospital Medical School in October. Reaction carried on until the autumn of 1968, when Roger went back to London. And there he saw a certain notice, written by a certain Brian May.

Early Smile gigs took place around Cornwall, where Roger was known from his Reaction days. During this time he realised dentistry wasn't for him, and he left University. Smile, although only semi-professional, did very well, and released a single - 'Earth' - in August 1969. However, in 1970, Tim left the group to play in 'Humpy Bong', and was replaced by a friend and follower of Smile - Freddie Bulsara.

If Roger had had his way, they would have been called the 'Rich Kids', and the fist album called 'Top Fax, Pix and Info'. But as it happened, Freddie got his own way. Queen's first gig was at the Truro City Hall in June 1970, and in July, Roger went to study biology to get a grant for extra income. Touring Cornwall, they were often known as 'Roger Taylor and Queen', and, once, 'Legendary Cornish Drummer Roger Taylor', and as an afterthought, 'and his band Queen'.

On the first album, Roger's only song was 'Modern Times Rock n Roll', and Roger's distinctive Stewart/Lennonesque vocals were first heard. During Queen's career, he sang lead on a number of songs, most notably on 'Tenement Funster', 'I'm in Love With my Car' and 'Drowse'.

Roger started a solo career in 1977 with 'I Wanna Testify', on which he played every instrument. The same is almost true for his first album, 'Fun in Space' from 1981. Record Mirror called it the "Son of Flash Gordon", which is quite accurate - witness 'Interlude in Constantinople'. It managed a good number 16 in the UK. 'Strange Frontier', his second solo album, was released in 1984, and has a very 'anti-nuclear' theme, especially on 'Beautiful Dreams' and 'Masters of War', a Dylan cover. Freddie, John, and Quo's Rick Parfitt guested on the album. Sounds called it "the product of a talented guy with no reason to do anything again". It reached number 30 in the UK. The video for 'Man on Fire' was banned by the US MTV due to the implication that a small girl was blown up in a burning building.

In 1987, Roger advertised as a "drummer of a top rock band looking for musicians", and several auditions later, The Cross were formed. Roger took lead vocals and insisted he wasn't the drummer - that was Josh Macrae. 'Shove It' came out in 1988, and was a 'nifty little album' according to NME. Brian guested on 'Love Lies Bleeding', and Freddie on 'Heaven for Everyone'. 1990 saw 'Mad Bad and Dangerous to Know', the second album, being released. It's a stronger album than 'Shove It', even though Roger wrote all the songs on the first album, and he wrote hardly any of 'Mad Bad'. Roger ran into more video trouble with the promo for 'Power to Love'. It featured a rather decadent and raunchy feast with the band surrounded by women in low cut dresses and men in Charles I wigs. It was edited in the UK, due, perhaps, to a shot of two women and a banana.

'Blue Rock' was the last Cross album, as they disbanded in 1992, "still good friends" according to Roger. Released in September 1991, it is the strongest of the three albums. Perhaps they would have gone on to 'better things', but with Roger's preoccupation with Queen, and the lack of promotion, The Cross couldn't really continue. One single came off 'Blue Rock' - 'New Dark Ages', and both were released in Germany only.

'Happiness' is Roger's latest solo album, and came out in September 1994. 'Nazis 1994', the first single, caused a stir of controversy over its blatent anti-nazi lyrics, and was pulled from the Radio 1 playlist, and many highstreet record shops refused to stock it. 'Foreign Sand' was another single. It was co-written by (and featured) Yoshiki, a Japanese rock star. Roger toured the UK and Europe with a new 'band', with Josh Macrae on drums again.

On top of all this, Roger has kept busy elsewhere. He was the driving force behind The Freddie Mercury Tribute, and on the day gave one of the best performances of his life. He played drums and sang 'A Kind Of Magic' at the Mick Ronson Memorial Concert. He worked on 'Made in Heaven' with John and Brian, taking joint lead vocals on 'Let me Live', and he attended the fan club album launch in London. Most recently, perhaps, he played with John, Brian and Elton John at the premier of a ballet based on Freddie's life, performing a storming version of 'The Show Must Go On'. Roger has also been working on his seventh solo album, which is hopefully due for a release in late 1997.

Roger once said that he hopes never to become "old rich and useless". There certainly doesn't seem to be any danger of that.